Eastern Rhythmic Foot and Western Colors: The Cross-Cultural Practice of Chinese Pentatonic Scales in Impressionist Music
DOI:
https://doi.org/10.71222/a3kpd780Keywords:
Chinese pentatonic scale, western impressionist music, Claude Debussy, Maurice Ravel, cross-cultural exchangeAbstract
This study explores the cross-cultural influence of the Chinese pentatonic scale in Western Impressionist music, focusing on composers such as Claude Debussy and Maurice Ravel. By analyzing the structural characteristics of the pentatonic scale and its integration into Western music, the research highlights how Eastern musical elements were used to create exotic and emotional effects within the context of the Impressionist movement. The Chinese pentatonic scale, with its distinct five-note structure and modal characteristics, provided a new avenue for Western composers to break away from traditional tonal structures and experiment with novel textures and harmonic possibilities. Through specific case studies of works like Debussy's Clair de Lune and Ravel's La Porte d’Orient, the study demonstrates how these composers blended Eastern musical elements with Western tonality to craft unique musical atmospheres that reflect the aesthetic concerns of the Impressionist era. The research also discusses the challenges and ethical considerations involved in cross-cultural musical synthesis and suggests directions for future research on the integration of Eastern scales in contemporary Western music.
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